This book showcases my study of various typefaces. Between its Perfect Bound exterior there are experimentations of twenty-four different fonts. Leading and kerning of each typeface was studied, with the most successful explorations being displayed in the book. Amidst the design, there is a brief history about each font. 

 

This process touched on the different extremes of design. Layout was based off of a grid, but the interaction between letters called for a more artistic and refined eye. Working away from the computer with studio materials to create the cover and binding was an exciting change.

 

While this was a class project, because each student was able to personalize so many different design choices, every book truly spoke to the aesthetic of the individual.